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Oobah Butler of fake shed restaurant fame is back and this time he’s turned his attention to the world of fashion. Paris Fashion week is iconic amongst A-Listers and fashion inner circles. It's the place where you find all the next big trends, the crème de la crème of fashion weeks. Georgio Peviani was getting loads of attention at PFW.
Buyers from Milan wanted his denim in their stores, the inner-circle wanted him at their showrooms and A-Listers partied with him at night. But the man doesn't actually exist.. does he? This is the time Oobah Butler faked his way into Paris Fashion Week.
WATCH NEXT: The Shed at Dulwich was the number one rated restaurant in London, but the main problem was that it didn't exist - https://vice.video/2KbdNzI
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Buyers from Milan wanted his denim in their stores, the inner-circle wanted him at their showrooms, and A-Listers partied with him at night. But Georgio Peviani doesn't actually exist.. does he?
WATCH NEXT: How My Shed Became the #1 Rated Restaurant in London - https://youtu.be/bqPARIKHbN8
The irony is: At this moment you are probably more popular and a greater artist, than the people you spoke with.
You are my favorite „reporter“ at VICE. Hopefully you got better contract terms than Louis Rossmann.
What makes this social experiment really interesting is the perception the fashion industry has on people.
Adam has created, established and then maintained the brand for 30 years but if he rocked up and asked for a pass would he get one?
Would influencers be willing or interested into giving Adam a shout out without payment?
Or invite Adam to after parties and networking events?
This is a real big eye opener!
Like damn 😦
Sechskies Eun Ji Won and rookie singers Lee Soo Hyun and Kim Eun Bi performed the third OST single titled "Love Song". The rookies, who are both training to debut in HYWY Entertainments girl group HYWY Girls, joined the veteran to sing about falling in love with an unlikely person. The rhythmic medium temp track is the perfect tune to make your spring days even brighter.
As a child, there was a portrait in our family home in Paris that I always loved. Today, it’s known as Maya with Doll – but to me it was just a portrait of my mother, albeit a remarkable one. “Your grandfather was a painter,” she would say, whenever the subject of the canvas, one of many that hung around the house, came up in discussion. It was only when I began school, and whispers about my heritage started to follow me, that I realised what an understatement that was. My grandfather was far more than a painter. He was the defining figure of 20th-century art – and, as I would learn later from years of academic study, a true genius. It was a revelation that would shape the course of my life in many ways. When Picasso died – in 1973, the year before I was born – he left behind 45,000 works, not to mention personal objects and correspondence.