This unequaled epic movie centers on Umuoba Ogidi Kingdom. A kingdom popularly known for her Ebuluje Ebuluna festival. A festival of able bodied men that defines who is the man and who is not. The men carry the sacred Ogidi from one end of a decorated street to the other end dancing. Whoever succeeds in parading the sacred Ogidi stands a chance to become the king. In Umuoba Ogidi. Any man who has not lifted or paraded the sacred Ogidi can never emerge as king.
STARRING: Cha Cha Fanni, Ugezu J. Ugezu, Sam Obiagu, Phil Daniels Aniedo, Sedateur Saviour, Geraldine Obi.
PRODUCER/EXECUTIVE PRODUCER: Osita Eze.
DIRECTOR: Ugezu J. Ugezu.
COMPANY: OssyKing Movies Ind. Ltd.
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Ugezu J.Ugezu is a great movie director but his taken all the credit that belong to the writer, do not forget that its been writing by someone before handed it over to Mr Ugezu to direct it, all the same they are all doing great job to entertain us .
There is one
reason I really admire ujezu's movies,the only thing he changes in African tradition which is the fact that even his chief priests no longer says "the gods" rather they say God. And chukuokike.which is very good
When a movie starts from where viewers should predict it to be d end,, then it becomes more interesting, unpredictable and with a lot of suspension.. When it's agezu j agezu,, its obviously appetizing..a humble bow for you sir!! Kudos to all actors n d crews of this great movie.
Sechskies Eun Ji Won and rookie singers Lee Soo Hyun and Kim Eun Bi performed the third OST single titled "Love Song". The rookies, who are both training to debut in HYWY Entertainments girl group HYWY Girls, joined the veteran to sing about falling in love with an unlikely person. The rhythmic medium temp track is the perfect tune to make your spring days even brighter.
As a child, there was a portrait in our family home in Paris that I always loved. Today, it’s known as Maya with Doll – but to me it was just a portrait of my mother, albeit a remarkable one. “Your grandfather was a painter,” she would say, whenever the subject of the canvas, one of many that hung around the house, came up in discussion. It was only when I began school, and whispers about my heritage started to follow me, that I realised what an understatement that was. My grandfather was far more than a painter. He was the defining figure of 20th-century art – and, as I would learn later from years of academic study, a true genius. It was a revelation that would shape the course of my life in many ways. When Picasso died – in 1973, the year before I was born – he left behind 45,000 works, not to mention personal objects and correspondence.