Asa Butterfield, Emma Mackey and Ncuti Gatwa battle it out to see who is the most charming using cheesy pick up lines.
Watch Sex Education on Netflix:
#Netflix #SexEducation #AsaButterfield
Netflix is the world's leading internet entertainment service with 130 million memberships in over 190 countries enjoying TV series, documentaries and feature films across a wide variety of genres and languages. Members can watch as much as they want, anytime, anywhere, on any internet-connected screen. Members can play, pause and resume watching, all without commercials or commitments.
Connect with Netflix Online:
Visit Netflix WEBSITE: http://nflx.it/29BcWb5
Like Netflix Kids on FACEBOOK: http://bit.ly/NetflixFamily
Like Netflix on FACEBOOK: http://bit.ly/29kkAtN
Follow Netflix on TWITTER: http://bit.ly/29gswqd
Follow Netflix on INSTAGRAM: http://bit.ly/29oO4UP
Follow Netflix on TUMBLR: http://bit.ly/29kkemT
Flirting with British Accents: Sex Education | Charm Battle | Netflix
Is it still really necessary to "Americanize" the colloquial banter between British youth on HBO Netflix in order to sell this stuff to the American public? Or ... do British school kids really speak as they do on "Sex Education" ? The series, although fun, is an overpowering (some might say sad) reminder to us British folk of just how much American TV has changed the language/ culture of recent generations.
Began watching it at 8 p.m., ended the 1st season at 3 a.m.
Its incredible how this series shock me and took me by storm. Very lovely even tho it is predictable sometimes, it still is so very relatable and heartwarming.
Please confirm season 2 and 3 already, Netflix!
Sechskies Eun Ji Won and rookie singers Lee Soo Hyun and Kim Eun Bi performed the third OST single titled "Love Song". The rookies, who are both training to debut in HYWY Entertainments girl group HYWY Girls, joined the veteran to sing about falling in love with an unlikely person. The rhythmic medium temp track is the perfect tune to make your spring days even brighter.
As a child, there was a portrait in our family home in Paris that I always loved. Today, it’s known as Maya with Doll – but to me it was just a portrait of my mother, albeit a remarkable one. “Your grandfather was a painter,” she would say, whenever the subject of the canvas, one of many that hung around the house, came up in discussion. It was only when I began school, and whispers about my heritage started to follow me, that I realised what an understatement that was. My grandfather was far more than a painter. He was the defining figure of 20th-century art – and, as I would learn later from years of academic study, a true genius. It was a revelation that would shape the course of my life in many ways. When Picasso died – in 1973, the year before I was born – he left behind 45,000 works, not to mention personal objects and correspondence.