The Masked Magician's lovely assistant shows you how to shave a few inches off your waistline...as in ALL the inches! Watch as her body disappears from the waist down, then "magically" reappears in this clever illusion!
World's Scariest Magic Tricks - http://bit.ly/24REkEJ
Unbelievable Psychic Magic - http://bit.ly/1UVM4jy
Mind-blowing Illusions - http://bit.ly/23cpZn7
Tricky Slight of Hand - http://bit.ly/1UzYCgx
Death Defying Tricks - http://bit.ly/1UwlhOW
Amazing Escapes - http://bit.ly/24REU5r
Classic Magic Illusions - http://bit.ly/1txa4nB
Stupefying Vanishing Acts - http://bit.ly/1YsN98v
Come to our channel every Thursday to see more magic tricks and how they are performed!
Breaking the Magician's Code: Magic's Biggest Secrets Finally Revealed is a series of television shows produced by Nash Entertainment in which the closely guarded secrets behind classic magic tricks and illusions are exposed by the Masked Magician, aided by his beautiful assistants.
The enormously popular TV specials and series featured the incognito magician performing large-scale illusions and a few smaller-scale close-up magic tricks... then revealing the secrets of how the tricks were done.
It was obvious. You can see that she is not at natural standing position. Also, first girl should lay on back so we can see only her legs. And when he reviels girl with missing torso another girl could move her legs. It will be much better.
LextheRobot Baris is right, the girl whose face is shown could tuck her lower body behind her into the wall just as the sheet is thrown upon her, and her legs could be replaced with another girl’s legs.
Sechskies Eun Ji Won and rookie singers Lee Soo Hyun and Kim Eun Bi performed the third OST single titled "Love Song". The rookies, who are both training to debut in HYWY Entertainments girl group HYWY Girls, joined the veteran to sing about falling in love with an unlikely person. The rhythmic medium temp track is the perfect tune to make your spring days even brighter.
As a child, there was a portrait in our family home in Paris that I always loved. Today, it’s known as Maya with Doll – but to me it was just a portrait of my mother, albeit a remarkable one. “Your grandfather was a painter,” she would say, whenever the subject of the canvas, one of many that hung around the house, came up in discussion. It was only when I began school, and whispers about my heritage started to follow me, that I realised what an understatement that was. My grandfather was far more than a painter. He was the defining figure of 20th-century art – and, as I would learn later from years of academic study, a true genius. It was a revelation that would shape the course of my life in many ways. When Picasso died – in 1973, the year before I was born – he left behind 45,000 works, not to mention personal objects and correspondence.