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AIQ is a computer visual solution company based in Singapore and founded in 2014, that provides brands and marketers the ability to increase customer engagement, create an experiential customer journey, extend brand loyalty and bring offline physical content onto the digital platform (P2D).
AIQ’s proprietary Video and Image Recognition Technology is powered by Artificial Intelligence (AI) and allows for instantaneous processing of live images and video, even if only a portion (30%) of the image or video is captured.
The company aims to promote visual commerce in an increasingly mobile first, online world and envisions to be a global leader in visual technology.
AIQ's Video and Image Recognition Technology is highly customisable and can be tailored to suit the marketing needs of different industries – Advertising, Entertainment, Event and F&B and Retail. Our clients have the choice of integrating our technology into their existing apps or to create a 'white label' demonstration of our app within their very own brand image.
Sechskies Eun Ji Won and rookie singers Lee Soo Hyun and Kim Eun Bi performed the third OST single titled "Love Song". The rookies, who are both training to debut in HYWY Entertainments girl group HYWY Girls, joined the veteran to sing about falling in love with an unlikely person. The rhythmic medium temp track is the perfect tune to make your spring days even brighter.
As a child, there was a portrait in our family home in Paris that I always loved. Today, it’s known as Maya with Doll – but to me it was just a portrait of my mother, albeit a remarkable one. “Your grandfather was a painter,” she would say, whenever the subject of the canvas, one of many that hung around the house, came up in discussion. It was only when I began school, and whispers about my heritage started to follow me, that I realised what an understatement that was. My grandfather was far more than a painter. He was the defining figure of 20th-century art – and, as I would learn later from years of academic study, a true genius. It was a revelation that would shape the course of my life in many ways. When Picasso died – in 1973, the year before I was born – he left behind 45,000 works, not to mention personal objects and correspondence.