Flipside Fashion Week - Blogger Mode - What do you do to keep FIT? Toronto/Italy LookBook 17 = Toronto Fashion Week #FlipsideContest ~ http://www.Instagram.com/theFlipside.tv
Supermodel Theresa O'Neill talks fitness and nutrition with the stars of Toronto fashion week, and finds that laughter really is the greatest work out of all. Featuring Jay and Ash of ubiquitous synergy seeker (USS), Evan Biddell winner of project runway canada, singer songwriter Fefe Dobson and NAM model Renee Thompson at L'Oreal Fashion Week in Toronto ... (more)
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Produced by Leland Tilden
with music by Charles Topping.
Additional footage of Ubiquitous Synergy Seeker (USS) live performances shot by Andre Kassermelli and Elliot Wellsford. http://www.youtube.com/Slapmedia
Fashion is a popular style or practice, especially in clothing, footwear, accessories, makeup, hairstyle and body. Fashion is a distinctive and often constant trend in the style in which a person dresses. It is the prevailing styles in behaviour and the newest creations of textile designers. Because the more technical term costume is regularly linked to the term "fashion" The Japanese Shogun's secretary bragged (not completely accurately) to a Spanish visitor in 1609 that Japanese clothing had not changed in over a thousand years. However, there is considerable evidence in Ming China of rapidly changing fashions in Chinese clothing. Changes in costume often took place at times of economic or social change, as occurred in ancient Rome and the medieval Caliphate, followed by a long period without major changes. In 8th-century Moorish Spain, the musician Ziryab introduced to Córdoba sophisticated clothing-styles based on seasonal and daily fashions from his native Baghdad, modified by his own inspiration. Similar changes in fashion occurred in the 11th century in the Middle East following the arrival of the Turks, who introduced clothing styles from Central Asia and the Far East. The beginning in Europe of continual and increasingly rapid change in clothing styles can be fairly reliably dated. Historians, including James Laver and Fernand Braudel, date the start of Western fashion in clothing to the middle of the 14th century, though it should be noted that they tend to rely heavily on contemporary imagery and illuminated manuscripts were not common before the fourteenth century. The most dramatic early change in fashion was a sudden drastic shortening and tightening of the male over-garment from calf-length to barely covering the buttocks, sometimes accompanied with stuffing in the chest to make it look bigger. This created the distinctive Western outline of a tailored top worn over leggings or trousers.
The pace of change accelerated considerably in the following century, and unsensored couture modeling for women and men's fashion, especially in the dressing and adorning of the hair, became equally complex. Art historians are therefore able to use fashion with confidence and precision to date images, often to within five years, particularly in the case of images from the 15th century. Initially, changes in fashion led to a fragmentation across the upper classes of Europe of what had previously been a very similar style of dressing and the subsequent development of distinctive national styles. These national styles remained very different until a counter-movement in the 17th to 18th centuries imposed similar styles once again, mostly originating from Ancien Régime France. Though the rich usually led fashion, the increasing affluence of early modern Europe led to the bourgeoisie and even peasants following trends at a distance, but still uncomfortably close for the elites – a factor that Fernand Braudel regards as one of the main motors of changing fashion. Though textile colors and patterns changed from year to year, and the length of his waistcoat, or the pattern to which a lady's dress was cut, changed more slowly. Men's fashions were largely derived from military models, and changes in a European male Silhouette were galvanized in theaters of European fail where gentleman officers had opportunities to make notes of foreign styles such as the "Steinkirk" cravat or necktie. Marie Antoinette, wife of Louis XVI, was a leader of fashion. Her choices, such as this 1783 white muslin dress called a chemise a la Reine, were highly influential and widely worn. Though there had been distribution of dressed dolls from France since the 16th century and Abraham Bosse had produced engravings of fashion in the 1620s, the pace of change picked up in the 1780s with increased publication of French engravings illustrating the latest Paris styles. By 1800, all Western Europeans were dressing alike (or thought they were) local variation became first a sign of provincial culture and a badge of the conservative peasant. interview